Kurt Kren Movies

  • 1969
    22/69 Happy-End

    22/69 Happy-End

    22/69 Happy-End

    01969HD

    Kurt Kren filmed pieces of feature films in the cinema without looking through the viewfinder. The missing sexual climax from the cinema was added by...

    22/69 Happy-End
  • 1973
    30/73 Coop Cinema Amsterdam

    30/73 Coop Cinema Amsterdam

    30/73 Coop Cinema Amsterdam

    01973HD

    Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long....

    30/73 Coop Cinema Amsterdam
  • 1965
    11/65: Helga Philipp Painting

    11/65: Helga Philipp Painting

    11/65: Helga Philipp Painting

    31965HD

    11/65 Bild Helga Philipp is an optical abstraction of an optical abstraction: Kren has simply intercut filmed movements and sections from an Op...

    11/65: Helga Philipp Painting
  • 1995
    49/95: thousandyearsofcinema

    49/95: thousandyearsofcinema

    49/95: thousandyearsofcinema

    3.71995HD

    The making of pictures becomes the central issue in itself in that, with an analytical single-picture procedure, picture-taking tourists on Vienna's...

    49/95: thousandyearsofcinema
  • 1979
    38/79: Sentimental Punk

    38/79: Sentimental Punk

    38/79: Sentimental Punk

    3.51979HD

    'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a...

    38/79: Sentimental Punk
  • 1965
    10b/65: Silver – Action Brus

    10b/65: Silver – Action Brus

    10b/65: Silver – Action Brus

    4.51965HD

    "Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned...

    10b/65: Silver – Action Brus
  • 1956
    Rome

    Rome

    Rome

    01956HD

    Vacation pictures from Rome.

    Rome
  • 1967
    16/67: September 20th

    16/67: September 20th

    16/67: September 20th

    2.31967HD

    A collage of many visuals. A man urinates; a man has a drink. A man defecates; someone eats a meal. 16/67 September 20: ‘The Eating Drinking...

    16/67: September 20th
  • 1993
    Memoirs of My Nervous Illness, Part 3

    Memoirs of My Nervous Illness, Part 3

    Memoirs of My Nervous Illness, Part 3

    01993HD

    On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of...

    Memoirs of My Nervous Illness, Part 3
  • 1960
    3/60: Trees in Autumn

    3/60: Trees in Autumn

    3/60: Trees in Autumn

    6.41960HD

    The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer...

    3/60: Trees in Autumn
  • 1969
    23​/69: Underground Explosion

    23​/69: Underground Explosion

    23​/69: Underground Explosion

    101969HD

    A report about an Underground Festival on tour through Germany and Switzerland.

    23​/69: Underground Explosion
  • 1970
    Portrait: Kurt Kren

    Portrait: Kurt Kren

    Portrait: Kurt Kren

    01970HD

    "This film is an attempt in focusing. I visited Kurt Kren in Vienna. (Kurt Kren is considered to be the father of the European underground film.)...

    Portrait: Kurt Kren
  • 1973
    29/73 Ready-Made

    29/73 Ready-Made

    29/73 Ready-Made

    01973HD

    In a TV film about the film Casablanca, Kren is meant to read aloud three letters that Groucho Marx wrote to Warner Bros., because they wanted to...

    29/73 Ready-Made
  • 1978
    36/78: Rischart

    36/78: Rischart

    36/78: Rischart

    4.51978HD

    Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of...

    36/78: Rischart
  • 1961
    4/61: Walls Pos.-Neg. and Way

    4/61: Walls Pos.-Neg. and Way

    4/61: Walls Pos.-Neg. and Way

    31961HD

    The film uses slides - photographic planes - which show different surfaces and finishes of a wall, which have been erroded by time. Kren stacks the...

    4/61: Walls Pos.-Neg. and Way
  • 1981
    39/81 Which Way to CA?

    39/81 Which Way to CA?

    39/81 Which Way to CA?

    101981HD

    Kren on his way from Vermont to California. Kren says that his various cars are the thread which runs through the story. (Hans Scheugl)

    39/81 Which Way to CA?
  • 1964
    7/64: Leda and the Swan

    7/64: Leda and the Swan

    7/64: Leda and the Swan

    5.21964HD

    Based on a Muehl Happening. The almost convulsive use of juxtaposition reappears here, but the captured gesture assumes a more erotic sensitivity,...

    7/64: Leda and the Swan
  • 1981
    40/81 Breakfast im Grauen

    40/81 Breakfast im Grauen

    40/81 Breakfast im Grauen

    91981HD

    Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...

    40/81 Breakfast im Grauen
  • 1966
    12/66: Cosinus Alpha

    12/66: Cosinus Alpha

    12/66: Cosinus Alpha

    4.71966HD

    Kren’s last film to include any direct reference to Otto Muehl is 12/66: Cosinus Alpha, a 10-minute film that completes a cycle of elaborate...

    12/66: Cosinus Alpha
  • 1968
    17/68: Green-red

    17/68: Green-red

    17/68: Green-red

    31968HD

    Kren filmed, in microscopic detail the reflection and refraction of the light in/on a glass bottle. However, the bottle itself (the whole body) is...

    17/68: Green-red